News - Obamas Produce 'Proof' on Broadway with Fresh Perspectives

In an ambitious theatrical debut, Michelle and Barack Obama serve as producers for the latest revival of David Auburn's acclaimed play, 'Proof,' under their company Higher Ground. This iteration, taking the stage at the Booth Theatre, is directed by Thomas Kail, drawing a connection to the Obamas’ cultural influence reminiscent of 'Hamilton.' Departing from its original cast, this production embraces diversity by featuring a cast of color, including standout performances from Don Cheadle as the enigmatic father and Kara Young, who brings complexity to her role as Catherine's sister, Clare. This revival largely maintains the original direction, with small but impactful changes, such as omitting the father's ghostly reappearance at the end of Act 1. Don Cheadle marks an impressive Broadway debut, navigating the complex intersection of mentorship and competition with his daughter Catherine, played by Ayo Edebiri. Though captivating in moments, Edebiri’s transition from a supporting television role to the theatrical stage meets some challenges, particularly in conveying Catherine’s internal conflicts with the vividness that the second act demands. Meanwhile, Kara Young continues to impress with her versatile performances, grounding the production with her portrayal of Clare as she attempts to steer her sister away from a tumultuous life. Jin Ha, portraying Catherine's new boyfriend, keeps audiences intrigued as he straddles the blurred lines between personal motives and professional aspirations. The play, structured primarily through intimate dialogues, invites its audience to explore themes of genius, mental health, and familial obligation, yet some of Edebiri’s choices leave a narrative gap in the crucial transformation of her character. The reception to this performance echoes the mixed results mood of the overall production. Although 'Proof' succeeds in its intent to present familiar narratives with fresh perspectives, the endeavor by the Obamas highlights both the promise and the complexities inherent in theatrical storytelling.